…Tut’s tomb has no hidden chambers after all.
The third radar scan of the pharaoh’s burial site conclusively shows that no additional mysteries lurk immediately behind its walls. You can read the National Geographic article by Kristin Romey and get the details.
If you’re not sure what this is all about, go back to my Has Nefertiti’s tomb been discovered? and Infrared thermography to be applied to Tutankhamun’s tomb posts of 2015.
The British Museum’s. Read about it in this post reblogged from the BM… and there is a mention of ancient Egyptian music (just in case you are wondering!).
Bach’s Mass in B Minor, chants in praise of Vishnu in south India and the magnificent vocals and drums of qawwali music breaking like waves at a shrine in Pakistan. All these sounds are in praise of a deity – and show how music, all over the world, is used to elevate us from earthly…
Great article in the The New York Times earlier this week about the Mystery of the Mummy’s Head (at the MFA, Boston) solved by the FBI. Nice bit of sleuthing worthy of Sherlock Holmes. Read the full article here.
Thanks to Ken O. for sharing this great read!
Personally I’m not into video games, but I thought some of my readers might be interested in an Egyptologist’s review of the 10th instalment of Assassin’s Creed, which is set in ancient Egypt. This is reblogged from Nile Scribes.
When Ubisoft announced that the sequel in their Assassin’s Creed series would be based in ancient Egypt, Egyptophiles around the world heard the news with much delight, including the Nile Scribes. Assassin’s Creed: Origins was released in October 2017, and our colleague, Emily Hotton, has written a review of the game for our blog.
Check out the full review via Game Review: Assassin’s Creed, Origins (Part 1) — Nile Scribes. Enjoy!
Let’s finish our floral journey in the Egyptian galleries. Let’s take a look at the two arrangements found there.
Inspired by the Jar, Black-topped Ware
By Susan Hooper
I looked at the arrangement for 10 seconds and left. Nothing Egyptian here.
(And you thought my Herakles critique was scathing.)
Inspired by Horus Falcon
By Carol Dowd
Delightful! Really fun floral design and well researched as well. I love how the upside down flower/plant was used to create the sculpted face of a falcon and how the leaves (petals?) look like feathers. He’s a rather chubby Horus, but he’s incredibly adorable! The designer really did some research about Horus and the association of his eyes with celestial bodies as well as Upper and Lower Egypt and the colours associated with them–this wins her extra points! (Read the label.) Horus is the winner this year!
Voilà! That’s it for this year’s ancient art inspired floral designs. It also seems that spring has final arrived in Raleigh. ‘Til next year!
Let’s go from Mesoamerica to the ancient Mediterranean with the floral arrangements inspired by works of art in the Classical galleries.
Inspired by Herakles
By Trisha Bettencourt
Dare I say it? Yes, I do. I’m disappointed. It’s too easy to use white flowers to create a design inspired by a marble sculpture. It works for an elegant Venus or Aphrodite, but for this statue? Nah. It’s Herakles!!! The guy has been plagued by Hera all his life and Eurystheus has given him 12 Labours that are so crazy as to appear impossible. He’s had a hard day, he’s exhausted and, here, he’s possibly drunk! While I sort of see in the arrangement the club he holds in his right hand, those flowers and twigs are just too delicate to represent a mythological hero who’s just about had it…
Inspired by the Etrusco-Corinthian Neck Amphora
By Stacey Burkert
Ah! That’s more like it. Much better! What is absolutely fantastic about this floral arrangement is how the colours of the flowers and plants actually match those of the rather colourful amphora. A perfect colour match! You really need to see the amphora in person to see these incredible earth colours. On the down side, those same autumnal colours also make the flowers look dead even though they are live flowers. I don’t like dead flowers (dead leaves on trees in autumn, yes; dead flowers, generally not). So that puts a damper on my enthusiasm for this arrangement. However, the designer gets a gold star because she did exactly was she set out to do (read the label) and she did that to perfection.
In my next post, we’ll see what arrangements were placed in the Egyptian galleries. Stay tuned!