Statue of Hatshepsut seated

My ARCHAEO-Crush for September is an amazing statue of a female pharaoh at the Metropolitan Museum in New York City.

The delicate and feminine features of the great New Kingdom female pharaoh. (Photo by yours truly taken during a trip to the Met in 2011)

The delicate and feminine features of the great New Kingdom female pharaoh. (Photo by yours truly taken during a trip to the Met in 2011)

STATUE OF HATSHEPSUT SEATED
Type: artefact (sculpture)
Civilisation: Ancient Egypt
Date: New Kingdom, Dynasty 18, joint reign Hatshepsut and Thutmosis III (circa 1479–1458 BC)
ARCHAEO-Crush: Queen Hatshepsut is undoubtedly the most remarkable female pharaoh of Egyptian history. Daughter of Pharaoh Thutmosis I and wife of Thutmosis II, her half-brother, she found herself at the death of her husband the regent of a young boy king, Thutmosis III–who is both her nephew and her stepson. (Thutmosis III was the son of Thutmosis II and his second wife Isis.) At the beginning, she is not opposed to the reign of this five year old child because as the wife of the deceased king she is regent and has all the powers necessary to rule the country on the young king’s behalf. However, a few years later–with the support of powerful officials–she is crowned pharaoh, usurping her stepson/nephew’s throne. While she may appear to be the evil stepmother of fairy tales, her reign is nonetheless peaceful and prosperous. She dedicates her energies to artistic endeavours and architectural projects (her funerary temple at Deir el-Bahri is one of her remarkable constructions).
The statue presented here shows Hatshepsut in the royal accoutrement of a male pharaoh wearing a kilt and the nemes headdress.  Yet her delicate features are utterly feminine and graceful. There is not doubt that this is the face of a woman. I find this particular statue incredibly beautiful and delicate, even if stone sculptures in ancient Egypt tend to be very heavy and blockish.
Bucket list status: Every time I’m at the Met, I go see Hatshepsut…
Additional information:  There are a number of statues portraying Hatshepsut in that particular gallery at the Met. However, this one (object # MMA 29.3.2) is displayed at all by herself and softly illuminated the end of the room, seated majestically.

Fan mail for Fefi!

While he was on ‘vacation’ (and his ghost writer at conferences abroad–more on that later),  Fefi, the NCMA’s most noble and ancient blogger, received fan mail. An avid reader enquired about Fefi’s well-being and made voice offerings of bread and beer so that our favourite ancient scribe would have the energy to continue his hieroglyphic blog posts. (Seriously! I’m not kidding… the Museum received an email for Fefi and it was a brilliant missive. I loved it!)

A post–written by yours truly and made available a couple of days ago–adds to Fefi’s lessons on Egyptian hieroglyphs. You can read What’s in a Nickname? on Circa. It should keep you (and our avid reader) satisfied until Fefi resumes his blogging activities!