The Archaeological Institute of America is accepting applications for the Elizabeth Bartman Museum Internship (deadline is April 1, 2019)
Thescholarship was established in honor of AIA Honorary President Elizabeth Bartman to assist graduate students, or those who have recently completed a master’s degree, in Archaeology or a related field (e.g., Anthropology, Art History, Classics, History, etc.) meet expenses associated with undertaking a museum internship (minimum duration a summer or semester). Specific projects will vary and might include the following: collection cataloguing, provenance or archival research, exhibition preparation, the writing of labels and/or didactic panels, assisting with websites and presentations in other media, such as audio guides and exhibition videos, and participating more broadly in museum activities, working with conservators, art handlers, designers, and other museum professionals.
A few days ago a friend from out of town said, you haven’t written much on your blog, you must have been busy this year. You undoubtedly noticed the same thing. It’s been crazy busy. Unfortunately, I foresee that 2019 will be just as hectic: *sigh…*
Happy New Year 2019. May it be not so busy!
When I submitted a paper for a provenance workshop at the Annual Meeting of the Archaeological Institute of America in January 2017, I never expected a publication to come out it. I was just excited that my first presentation at an AIA meeting was actually held in Toronto (my old graduate stomping grounds) and that for once I knew where to go for lunch without Googling restaurants! (And, unlike so many, I knew how to dress for -20 Celsius weather!)
It was a pleasant surprise when our workshop moderator let us know that our session had been chosen (along with two others) for publication on the theme of collecting and collectors in the Selected Papers on Ancient Art and Architecture (SPAAA) series. (Contributions to that series are ‘by invitation only’ so this was very exciting.) I submitted the article version of my presentation and it was accepted by the peer review committee… and after a few months of delay the volume is now available!
Well, that was an unexpected publication… swiftly added to my CV!
…Tut’s tomb has no hidden chambers after all.
The third radar scan of the pharaoh’s burial site conclusively shows that no additional mysteries lurk immediately behind its walls. You can read the National Geographic article by Kristin Romey and get the details.
If you’re not sure what this is all about, go back to my Has Nefertiti’s tomb been discovered? and Infrared thermography to be applied to Tutankhamun’s tomb posts of 2015.
Great article in the The New York Times earlier this week about the Mystery of the Mummy’s Head (at the MFA, Boston) solved by the FBI. Nice bit of sleuthing worthy of Sherlock Holmes. Read the full article here.
Thanks to Ken O. for sharing this great read!
Let’s finish our floral journey in the Egyptian galleries. Let’s take a look at the two arrangements found there.
Inspired by the Jar, Black-topped Ware
By Susan Hooper
I looked at the arrangement for 10 seconds and left. Nothing Egyptian here.
(And you thought my Herakles critique was scathing.)
Inspired by Horus Falcon
By Carol Dowd
Delightful! Really fun floral design and well researched as well. I love how the upside down flower/plant was used to create the sculpted face of a falcon and how the leaves (petals?) look like feathers. He’s a rather chubby Horus, but he’s incredibly adorable! The designer really did some research about Horus and the association of his eyes with celestial bodies as well as Upper and Lower Egypt and the colours associated with them–this wins her extra points! (Read the label.) Horus is the winner this year!
Voilà! That’s it for this year’s ancient art inspired floral designs. It also seems that spring has final arrived in Raleigh. ‘Til next year!