A Symphony of Cultures

The British Museum’s . Read about it in this post reblogged from the BM… and there is a mention of ancient Egyptian music (just in case you are wondering!).

Bach’s Mass in B Minor, chants in praise of Vishnu in south India and the magnificent vocals and drums of qawwali music breaking like waves at a shrine in Pakistan. All these sounds are in praise of a deity – and show how music, all over the world, is used to elevate us from earthly…

via Music of the world: a symphony of cultures — The British Museum Blog

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Set in Egypt: Assassin’s Creed: Origins

Personally I’m not into video games, but I thought some of my readers might be interested in an Egyptologist’s review of the 10th instalment of Assassin’s Creed, which is set in ancient Egypt. This is reblogged from Nile Scribes.

When Ubisoft announced that the sequel in their Assassin’s Creed series would be based in ancient Egypt, Egyptophiles around the world heard the news with much delight, including the Nile Scribes. Assassin’s Creed: Origins was released in October 2017, and our colleague, Emily Hotton, has written a review of the game for our blog.

Check out the full review via Game Review: Assassin’s Creed, Origins (Part 1) — Nile Scribes.  Enjoy!

Book Review – ‘Nefertiti’s Face: The Creation of an Icon’ by Joyce Tyldesley

My prolific colleague Campbell Price at Manchester Museum is at it again! Nice post on Joyce Tyldesley’s new book on Queen Nefertiti. Must add that to my ever growing list of books to read…

Egypt at the Manchester Museum

Joyce Tyldesley’s new book concerns Ancient Egypt’s most well-known poster-girl: Nefertiti, or – more accurately – a painted limestone and plaster bust of her now in the Neues Museum in Berlin. Tyldesley has already written an excellent biography of the lady herself, and uses this opportunity to discuss her most famous representation – and how it skews our entire impression of who she was. The book follows the successful format of the biography of a single object adopted by Laurence Berman, curator at the Museum of Fine Arts, Boston, in his accessible study of the Late Period ‘Boston Green Head’. As a fellow curator, the idea of spending a whole book on a sole museum object is particularly appealing to me.

nefertiti-s-face-the-creation-of-an-icon.jpg

Now, I must confess personal bias here – Joyce is a friend and University of Manchester colleague, and we have discussed the content of the book extensively. Yet…

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DNA confirms the Two Brothers’ relationship

The Two Brothers are indeed brothers (well, half brothers). Yet another great post by my colleague Campbell Price at the Manchester Museum.

Egypt at the Manchester Museum

Using ‘next generation’ DNA sequencing, scientists at the University of Manchester have confirmed a long-held supposition that the famous ‘Two Brothers’ of the Manchester Museum have a shared mother but different fathers – so are, in fact, half-brothers. This is the first in a series of blog posts presenting the DNA results, and discussing the interpretation and display of the Brothers in Manchester.

The ‘Two Brothers’ are among Manchester Museum’s most famous inhabitants. The complete contents of their joint burial forms one of the Museum’s key Egyptology exhibits, which have been on almost continuous display since they were first entered the Museum in 1908.

_D0V4739, 4740 (3) The Two Brothers’ inner coffins: Khnum-nakht (left) and Nakht-ankh (right), 2011

Central to public (and academic) interest have been the mummified bodies of the men themselves – Khnum-nakht and Nakht-ankh – who lived around the middle of the 12th Dynasty, c. 1900-1800 BC. Their intact…

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Artifact Investigation

I love those artefact conservation posts! Here is one from Carrie at the Kelsey about a bowl from Karanis covered with some mysterious white stuff. (And I love a good detective story as well!)

Kelsey Museum

CAROLINE ROBERTS, Conservator, Kelsey Museum of Archaeology

I love a good mystery, and nothing (save a really good crime novel) is better than an artifact mystery. I love the thrill of investigating an object, identifying its agents of deterioration, and nabbing those culprits one by one. I also really enjoy teaching new conservators how to use investigative tools to make their own observations. I recently spent a day looking at an object with Ellen Seidell, a U of M junior who is interning in our lab. The ceramic bowl – excavated at Karanis in 1929 – was covered with feathery white crystals, as well as a drippy, peeling surface coating. I had my suspicions as to what these were, but wanted Ellen to learn for herself how to identify unknown materials.

To do this, we examined the bowl under longwave ultraviolet light. This is a useful tool not only for…

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Things you didn’t know about the British Museum

I found today this fun post on the British Museum blog that contains interesting facts most people don’t know about the BM.  Did you know that the most searched-for thing on their website is ‘Egypt’? Or that the 1972 exhibition of Tutankhamun’s treasure was the most popular. Ever?  Those didn’t surprise me at all and I knew of some other facts mentioned in the listicle; however, there were some cool things I wasn’t aware of…

Take a look here: 29 Things you (probably) didn’t know about the British Museum.

Millennial Court at the British Museum during my 2003 visit.

Millennial Court at the British Museum during my 2003 visit.

 

 

An Open Letter to Ancient People

Found this post very amusing. It’s  An Open Letter to Ancient People from Conservator Suzanne Davis at the Kelsey. Love it! There are many times when archaeologists, conservators and other scholars would like to speak to ancient people…

SUZANNE DAVIS, Curator of Conservation Dear Ancient People, I am writing this letter in response to my recent work on your textiles for the upcoming Kelsey Museum exhibit Less Than Perfect. I am writing this letter because I love you. I do. Please believe that. Your textiles are lovely. Super beautiful. But they are […]

via An Open Letter to Ancient People — Kelsey Museum