A little ray of sunshine

A really weird package came for me in the mail a few days ago. It was from the marble guy with whom I’m working on the Museum’s marble sculptures.  A gilded and pointy thing made out of wood. With it a simple note that said: Can you guess what this is?

Huh?!?!

As I walked back to my desk, it hit me like a bolt of lightning! It was a little ray of sunshine!  Our statue of the Celestial god (possibly Helios, the Greek god of the sun) wears a headdress that has little holes in it.  These may have held gilded metal rays to create a radiant crown (a bit like the Statue of Liberty).  My colleague had send me the mock-up of a ray to insert in the headdress to determine the correct proportions. Once that is figured out, a set of twelve rays will be made to recreate the golden crown for a photo.

Our verdict: the ray needs to be thinner and shorter.

Herakles has left the building

In the middle of the week, Herakles left the West Building for a visit to the photo studio before heading to the conservation lab. Although he weighs about 1020 lbs(!), it only took a few minutes to move the big guy off his pedestal. All you need is brawn, brain and some smooth materials.

Heracles is a very complexe sculpture and we need to look at him even closer than we did before… Actually, we need to look at his knee joins.  I’ll let you know when he gets his quasi-surgical operation!

One last look at the marbles

Just before the holidays, Mark the marble guy dropped by the NCMA to take one last look at the classical marble sculptures before he could hand over his reports and catalogue entries. Again we had to work in the dark galleries of the museum, but luckily we didn’t have to start as late as before… the sun sets much sooner in winter!

Assisted by Caroline “the Younger” (who was my intern in the spring), we reexamined the troublesome Hercules and just a few other sculptures with Mark’s nifty and very powerful flashlight, his new portable microscope and under ultraviolet lights. We also took photographs (UV and VIL/IRR) of details based on our earlier “night at the museum” sessions.  This should be the last examination of the marbles and the research on these works of art is pretty much completed… but the project continues with the study of other ancient objects from different Classical cultures and made from different materials.

South Italy and Sicily: the research continues

The research on the NCMA’s classical collection continues and that is making me really, really happy. It might not be related to ancient Egypt or Nubia, but at least it’s ancient! Very late in November, our intellectual travels took us to South Italy and Sicily, where the ancient Greeks established colonies. Keely H, who is an expert on this material, took a look at the small collection from the art historical and archaeological standpoint; she was assisted by yours truly as well as Stacey, NCMA conservation technician. Objects conservator Corey was examining the collection from the conservation perspective.

The collection consists of various ceramic vessels, some of which are wonderfully coloured… but are all these pigments actually ancient?  That is the question!  We are trying to find the answer by looking at the objects under UV lights, by X-ray fluorescence (which was done by NCMA paintings conservator Noelle who is not on the photos), and hopefully even by sampling for further testing in later months.  Stay tuned for that!

Studying Etruscan art…

One of the many projects and tasks that occupied me last week was the ongoing research on the NCMA’s classical collection.  This time around, it was the Etruscan objects and other early Italic material that was under study.

Professor Nancy de Grummond was in town for the examination.  It was an intensive two-day study, but it was great fun to learn from her.  She is a wonderful wealth of information about all things pre-Roman.

Off view

If you were to take a walk in the Classical galleries at the museum this week and the next, you’d notice that some vitrines are completely empty of artefacts. The reason? These are being studied by private objects conservator Corey Smith Riley.

Corey’s looking at material, manufacture, condition and previous conservation treatments for all the Greek objects (ceramics and bronze). It’s part of the research project I have been managing for the last three years, the study of the Classical collection for the catalogue. Corey’s work is a follow-up to Taking a look at Greek ceramics.

Black light on Bacchus

The recent work on the NCMA’s statue of a Bacchus was featured in my post on August 11; however, there appeared yesterday on Circa, the Museum blog, a fabulous post (if I may say so myself) that delves into the actual UV examination and the Bacchus Conservation Project like never before. Check out the very awesome video on Circa: Black Light on Bacchus: Inside a UV Exam.

I have to thank Luke for the video editing, sound editing and film footage, Karen M. and Chris for the stills and UV photos, Karen K. for the post storyboard and editing, Stacey and Corey for their conservation eye, Maggie and the guys for moving Bacchus around, Noelle for poking her head in the studio once in a while to check if we needed anything and Emily for mentioning our UV session on social media (which actually attracted the attention of journalists).